Research & Innovation

ALSCW invites writes and translators to apply for the ALSCW Fellowship at Vermont Studio Center. This fully-funded, four-week residency at VSC is awarded to a current member of the Association of Literary Scholars, Critics, and Writers (ALSCW). This fellowship is open to all of the Association’s creative writers and literary translators. The ALSCW is devoted to the reading and writing of literature, criticism, and scholarship.

Celebrate a decade of gay speculative fiction with Wilde Stories 2011! This expanded volume from Lethe Press brings stories of undead lovers, stranded astronauts, ghosts and phantom reflections, men lost in an inhospitable wilderness, and fiends who hide under handsome veneers, all written by award-winning authors (Laird Barron, Richard Bowes and Joel Lane) and fresh voices in the field (Nick Poniatowski and Jeffrey Ricker) No other anthology provides readers the widest variety of gay men men facing the weird, the fantastic, and the horrific.

“Explorations of the Self” in Rafael Dalleo & Curdella Forbes, ed. Caribbean Literature in
Transition. 1920-1970. Vol. 2 1920-1970. Cambridge University Press, 2021.

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This interdisciplinary volume includes essays and workshop summaries for the 2006 Attending to Early Modern Women—and Men symposium. Essays and workshop summaries are divided into four sections, “Masculinities,” “Violence,” “Childhood,” and “Pedagogies.” Taken together, they considers women’s works, lives, and culture across geographical regions, primarily in England, France, Germany, Italy, the Low Countries, the Caribbean, and the Islamic world and explore the shift in scholarly understanding of women’s lives and works when they are placed alongside nuanced considerations of men’s lives and works.

Essays and workshop summaries are divided into four sections, “Masculinities,” “Violence,” “Childhood,” and “Pedagogies.” Taken together, they considers women’s works, lives, and culture across geographical regions, primarily in England, France, Germany, Italy, the Low Countries, the Caribbean, and the Islamic world and explore the shift in scholarly understanding of women’s lives and works when they are placed alongside nuanced considerations of men’s lives and works.

Many languages include constructions which are sensitive to the expression of polarity: that is, negative polarity items, which cannot occur in affirmative clauses, and positive polarity items, which cannot occur in negatives. The phenomenon of polarity sensitivity has been an important source of evidence for theories about the mental architecture of grammar over the last fifty years, and to many the oddly dysfunctional sensitivities of polarity items have seemed to support a view of grammar as an encapsulated mental module fundamentally unrelated to other aspects of human cognition or communicative behavior. This book draws on insights from cognitive/functional linguistics and formal semantics to argue that, on the contrary, the grammar of sensitivity is grounded in a very general human cognitive ability to form categories and draw inferences based on scalar alternatives, and in the ways this ability is deployed for rhetorical effects in ordinary interpersonal communication.

From the 1930s to the new century, Doux Thibaut, one of Merle Collins’ most memorable characters, negotiates a hard life on the Caribbean island of Paz. As a child there is the shame of poverty and illegitimacy, and there are the hazards of sectarianism in an island divided between Catholic and Protestant, the rigidity of a class and racial system where, if you are black, your white employer is always right—and only the ladies live upstairs. Doux confronts all such challenges with style and hidden steel.

We leave Doux as an old lady moving between the homes of her children in Boston and New York, wondering whether they and her grandchildren really appreciate what her engagement with life has taught her. 

In these tender and moving stories, Merle Collins demands that we do not forget such lives. If ghosts appear in several of the later stories, they are surely there to warn that amnesia about the past can leave disturbed and restless spirits behind.

In addition to the Doux stories, this collection restores to print an earlier ‘Paz’ story, “Rain Darling”, and their juxtaposition contrasts two very different responses to the hazards of life.

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Jonathan Auerbach provides in-depth interpretations of more than a dozen of these dark crime thrillers, considering them in relation to U.S. national security measures enacted from the mid-1930s to the mid-1950s. The growth of a domestic intelligence-gathering apparatus before, during, and after the Second World War raised unsettling questions about who was American and who was not, and how to tell the difference. Auerbach shows how politics and aesthetics merge in these noirs, whose oft-noted uncanniness betrays the fear that “un-American” foes lurk within the homeland. This tone of dispossession was reflected in well-known films, including Double Indemnity, Out of the Past, and Pickup on South Street, and less familiar noirs such as Stranger on the Third Floor, The Chase, and Ride the Pink Horse. Whether tracing the consequences of the Gestapo in America, or the uncertain borderlines that separate the United States from Cuba and Mexico, these movies blur boundaries; inside and outside become confused as (presumed) foreigners take over domestic space. To feel like a stranger in your own home: this is the peculiar affective condition of citizenship intensified by wartime and Cold War security measures, as well as a primary mood driving many midcentury noir films.

From the publisher's website:

The first edited collection to bring ecocritical studies into a necessary dialogue with postcolonial literature, this volume offers rich and suggestive ways to explore the relationship between humans and nature around the globe, drawing from texts from Africa and the Caribbean, as well as the Pacific Islands and South Asia. Turning to contemporary works by both well- and little-known postcolonial writers, the diverse contributions highlight the literary imagination as crucial to representing what Eduoard Glissant calls the "aesthetics of the earth." The essays are organized around a group of thematic concerns that engage culture and cultivation, arboriculture and deforestation, the lives of animals, and the relationship between the military and the tourist industry. With chapters that address works by J. M. Coetzee, Kiran Desai, Derek Walcott, Alejo Carpentier, Zakes Mda, and many others,  makes a remarkable contribution to rethinking the role of the humanities in addressing global environmental issues.