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An internship at the Maryland General Assembly is helping English major Sumayyah Ghori ’21 prepare for a future in law.Read More about In Session
Antiracism: Research • Teaching • Public Engagement
Center for Literary and Comparative Studies Sponsors Year-long Series on Antiracism.Read More about Center for Literary and Comparative Studies Sponsors New Year-long Series on Antiracism
English weds critical inquiry and creative expression to unleash the power of words.
The department’s award-winning faculty whose research programs reflect the vitality of the Washington, D.C.-Maryland research, art and politics corridor, prepares students for leadership roles in a range of 21st-century careers. Trained in digital and media studies, a wide variety of literary and cultural traditions, and critical race and other interdisciplinary studies, students learn how critical thinking and persuasive writing can change the world.
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Why choose the University of Maryland for English?
Our department champions innovation, diversity and flexibility in pursuit of higher education. Our 50-plus tenure-track faculty are first in their fields, with a wide-ranging and award-winning body of work in digital media, scholarly essays and books, novels, short stories and poetry.
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Library of Congress names alum its National Ambassador for Young People's Literature.
Read more about Jason Reynolds
Gerard Passannante is the Department's latest Guggenheim Fellow. His project, “God is in the Detail,” follows the concept of scale in early modernity as it moves between the realm of empirical observation and the intuitive realm of sense.Read more about Gerard Passannante
Recent PublicationsView All
A trenchant critique of Post Critique Methodologies. Special Issue on “What Is and Isn’t Changing” From MLQ (Modern Language Quarterly).
Has postcolonial literary criticism been affected by the postcritical antihistoricist turn? The short answer is no. It is hard to imagine what an antihistoricist postcolonial literary criticism might look like, since any investment in the term postcolonial assumes a simultaneous commitment to history and politics. While the term from its inception has been subject to criticism, it continues to hold its own despite more recent terms like global and world. While they may signal a post-postcolonial turn, a term initially used by Erin O’Connor (2003) to critique postcolonial analyses of Victorian novels, the use of and engagement with the postcolonial still provide a methodological challenge to modes of criticism advanced under the global and the world. Postcolonial literary criticism remains attuned to questions of aesthetics and ethics.
This first-of-its-kind anthology brings together the best of contemporary queer poetry from South Asia, both from the subcontinent and its many diasporas.
The anthology features well-known voices like Hoshang Merchant, Ruth Vanita, Suniti Namjoshi, Kazim Ali, Rajiv Mohabir as well as a host of new poets. The themes range from desire and loneliness, sexual intimacy and struggles, caste and language, activism both on the streets and in the homes, the role of family both given and chosen, and heartbreaks and heartjoins. Writing from Bangalore, Baroda, Benares, Boston, Chennai, Colombo, Dhaka, Delhi, Dublin, Karachi, Kathmandu, Lahore, London, New York City, and writing in languages including Bengali, Gujarati, Hindi, Kannada, Urdu, Manipuri, Malayalam, Marathi, Punjabi, Tamil, and, of course, English, the result is an urgent, imaginative and beautiful testament to the diversity, politics, aesthetics and ethics of queer life in South Asia today.
“Queering the Black Arts Movement”
In 1970 Black Panther leader Huey Newton published a letter in The Black Panther newspaper about women’s liberation and gay liberation.
Newton s statement made one year after Stonewall and the same month Newton was released from prison takes the unorthodox step of suggesting the importance of black radical organizations and collectives.