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UMD and Phillips Collection Partner for Anti-racism Series
The Center for Literacy and Comparative Studies Antiracism Series featured in The Diamondback.Read More about UMD and Phillips Collection Partner for Anti-racism Series
8 Campus Makerspaces Where Terps Turn Out the Next Big Thing
BookLab featured in Maryland Today's 8 Campus MakerspacesRead More about 8 Campus Makerspaces Where Terps Turn Out the Next Big Thing
Diversity in/and Higher Education
RSVP to the next Antiracism: Communities + Collaborations event on February 1.Read More about Diversity in/and Higher Education
Early American Literature Program Ranks Among Best in Nation
Faculty, student achievement highlighted by U.S. News & World Report's 2022 'Best Graduate Schools' rankings.Read More about Early American Literature Program Ranks Among Best in Nation
English weds critical inquiry and creative expression to unleash the power of words.
The department’s award-winning faculty whose research programs reflect the vitality of the Washington, D.C.-Maryland research, art and politics corridor, prepares students for leadership roles in a range of 21st-century careers. Trained in digital and media studies, a wide variety of literary and cultural traditions, and critical race and other interdisciplinary studies, students learn how critical thinking and persuasive writing can change the world.
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Our department champions innovation, diversity and flexibility in pursuit of higher education. Our 50-plus tenure-track faculty are first in their fields, with a wide-ranging and award-winning body of work in digital media, scholarly essays and books, novels, short stories and poetry.
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Library of Congress names alum its National Ambassador for Young People's Literature.
Read more about Jason Reynolds
Gerard Passannante is the Department's latest Guggenheim Fellow. His project, “God is in the Detail,” follows the concept of scale in early modernity as it moves between the realm of empirical observation and the intuitive realm of sense.Read more about Gerard Passannante
Recent PublicationsView All
Techno-Magism: Media, Mediation, and the Cut of Romanticism
Techno-Magism explores how British Romantic literature abuts and is organized around both print and non-print media.
The book explores not only the print, pictorial art, and theater of early nineteenth-century England and Europe but also communicative technologies invented after the British Romantic period, such as photography, film, video, and digital screens. This proleptic abutting points to one way we can understand the implicit exceptionality wagered by reading Romanticism through media studies and media theory.
Techno-Magism argues that both media studies and the concept of mediation in general can benefit from a more robust confrontation with, or recovery of, the arguments of deconstruction, an unavoidable consequence of thinking about the relationship between Romanticism and media. The book thinks that relationship through the catachrestic practice of a techno-magism, a technics of inscription always outside the causalities of a dialectical economy. The book further pursues two interrelated ideas: the structural incommensurability of the cut and the unapologetic presentism of the constellation. Marked by its late capitalist moment of composition, the book explores the continuity between the social character of Romantic and post-Romantic media, in terms of commodity culture, revolution, and the ecological devastation of the anthropocene.
Black Queer Freedom: Spaces of Injury and Paths of Desire
Mapping a geography of black queer life through art
Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomic injury. Attending to and challenging threats has become a defining element in queer black artists’ work throughout the black diaspora. GerShun Avilez analyzes the work of diasporic artists who, denied government protections, have used art to create spaces for justice. He first focuses on how the state seeks to inhibit the movement of black queer bodies through public spaces, whether on the street or across borders. From there, he pivots to institutional spaces--specifically prisons and hospitals--and the ways such places seek to expose queer bodies in order to control them. Throughout, he reveals how desire and art open routes to black queer freedom when policy, the law, racism, and homophobia threaten physical safety, civil rights, and social mobility.
A trenchant critique of Post Critique Methodologies. Special Issue on “What Is and Isn’t Changing” From MLQ (Modern Language Quarterly).
Has postcolonial literary criticism been affected by the postcritical antihistoricist turn? The short answer is no. It is hard to imagine what an antihistoricist postcolonial literary criticism might look like, since any investment in the term postcolonial assumes a simultaneous commitment to history and politics. While the term from its inception has been subject to criticism, it continues to hold its own despite more recent terms like global and world. While they may signal a post-postcolonial turn, a term initially used by Erin O’Connor (2003) to critique postcolonial analyses of Victorian novels, the use of and engagement with the postcolonial still provide a methodological challenge to modes of criticism advanced under the global and the world. Postcolonial literary criticism remains attuned to questions of aesthetics and ethics.