Research & Innovation

In The American H.D., Annette Debo considers the significance of nation in the artistic vision and life of the modernist writer Hilda Doolittle. Her versatile career stretching from 1906 to 1961, H.D. was a major American writer who spent her adult life abroad; a poet and translator who also wrote experimental novels, short stories, essays, reviews, and a children’s book; a white writer with ties to the Harlem Renaissance; an intellectual who collaborated on avant-garde films and film criticism; and an upper-middle-class woman who refused to follow gender conventions. Her wide-ranging career thus embodies an expansive narrative about the relationship of modernism to the United States and the nuances of the American nation from the Gilded Age to the Cold War.

"These poems describe the outside world with a luminous grasp of detail, clarity, connection. Soon enough in every poem it seems the external world is giving way to a subtle interior of feeling and nuance. What is surprising is the command of language and music in which this occurs, and the sheer precision of both. There are pleasures on every page here, making this one of the best debut collections I have read."—Eavan Boland

"Shara Lessley has a scrupulous eye for the natural world, for the detail of memory, for the seemingly ordinary in which she often finds the surprise, the bizarre, or a painful past. In language that is sharp and clear, in forms that are disciplined by a discerning mind, she also explores the lives of liminal women and American outsiders. This is a first book you shouldn't miss."—Peter Balakian

Brooke Holmes and W.H. Shearin, eds. Dynamic Reading, Oxford, 2012.

With the release of Peter Jackson’s The Lord of the Rings movie trilogy and forthcoming film version of The Hobbit, J. R. R. Tolkien’s popularity has never been higher. In Green Suns and Faërie, author Verlyn Flieger, one of world’s foremost Tolkien scholars, presents a selection of her best articles—some never before published—on a range of Tolkien topics.

The essays are divided into three distinct sections. The first explores Tolkien’s ideas of sub-creation–the making of a Secondary World and its relation to the real world, the second looks at Tolkien’s reconfiguration of the medieval story tradition, and the third places his work firmly within the context of the twentieth century and “modernist” literature. With discussions ranging from Tolkien’s concepts of the hero to the much-misunderstood nature of Bilbo’s last riddle in The Hobbit, Flieger reveals Tolkien as a man of both medieval learning and modern sensibility—one who is deeply engaged with the past and future, the regrets and hopes, the triumphs and tragedies, and above all the profound difficulties and dilemmas of his troubled century.

Taken in their entirety, these essays track a major scholar’s deepening understanding of the work of the master of fantasy. Green Suns and Faërie is sure to become a cornerstone of Tolkien scholarship.

8th Edition.
The Eighth Edition features a diverse and balanced variety of works and thorough but judicious editorial apparatus throughout. The new edition also includes more complete works, much-requested new authors, 170 in-text images, new and re-thought contextual clusters, and other tools that help instructors teach the course they want to teach.

Read more a the publisher's website.

From the publisher's website:

One of the most eclectic and distinctive writers currently working in comics, Grant Morrison (b. 1960) brings the auteurist sensibility of alternative comics and graphic novels to the popular genres--superhero, science fiction, and fantasy--that dominate the American and British comics industries. His comics range from bestsellers featuring the most universally recognized superhero franchises (All-Star Superman, New X-Men, Batman) to more independent, creator-owned work (The Invisibles, The Filth, We3) that defies any generic classification.

In Grant Morrison: Combining the Worlds of Contemporary Comics, author Marc Singer examines how Morrison uses this fusion of styles to intervene in the major political, aesthetic, and intellectual challenges of our time. His comics blur the boundaries between fantasy and realism, mixing autobiographical representation and cultural critique with heroic adventure. They offer self-reflexive appraisals of their own genres while they experiment with the formal elements of comics. Perhaps most ambitiously, they challenge contemporary theories of language and meaning, seeking to develop new modes of expression grounded in comics' capacity for visual narrative and the fantasy genres' ability to make figurative meanings literal.

With the first two books in the Acacia Trilogy, Acacia and The Other Lands, David Anthony Durham has created a vast and engrossing canvas of a world in turmoil, where the surviving children of a royal dynasty are on a quest to realize their fates—and perhaps right ancient wrongs once and for all. As The Sacred Band begins, one of them, Queen Corinn, bestrides the world as a result of her mastery of spells found in the ancient Book of Elenet. Her younger brother, Dariel, has been sent on a perilous mis­sion to the Other Lands, while her sister, Mena, travels to the far north to confront an invasion of the feared race of the Auldek. Their separate trajectories will converge in a series of world-shaping, earth-shattering battles, all ren­dered with vividly imagined detail and in heroic scale.

Donawerth traces the development of women’s rhetorical theory through the voices of English and American women (and one much-translated French woman) over three centuries. She demonstrates how they cultivated theories of rhetoric centered on conversation that faded once women began writing composition textbooks for mixed-gender audiences in the latter part of the nineteenth century. She recovers and elucidates the importance of the theories in dialogues and defenses of women’s education by Bathsua Makin, Mary Astell, and Madeleine de Scudéry; in conduct books by Hannah More, Lydia Sigourney, and Eliza Farrar; in defenses of women’s preaching by Ellen Stewart, Lucretia Mott, Catherine Booth, and Frances Willard; and in elocution handbooks by Anna Morgan, Hallie Quinn Brown, Genevieve Stebbins, and Emily Bishop. In each genre, Donawerth explores facets of women’s rhetorical theory, such as the recognition of the gendered nature of communication in conduct books, the incorporation of the language of women’s rights in the defenses of women’s preaching, and the adaptation of sentimental culture to the cultivation of women’s bodies as tools of communication in elocution books.