Robert S. Levine

The grant, which provides funding to individual authors writing nonfiction books in the humanities for the public, will support writing and archival research for Levine’s book-in-progress, under advance contract with W. W. Norton, on 19th-century American author and abolitionist Harriet Beecher Stowe, best known for her 1852 novel Uncle Tom’s Cabin.

Jay B. Hubbell, a long-time professor at Duke University, was one of the pioneers of American literary scholarship. Hubbell championed treating American authors as objects of serious attention at a time when academic students of literature focused almost entirely on English authors. The award named for him has been awarded to some of the most distinguished practitioners of the discipline he helped create. The citations by which the awards were made and the acceptance speeches with which they were received, the more recent of which are available below, form an illuminating and often touching record of one part of the scholarly life.

2013 John Simon Guggenheim Fellowship (awarded 2012)

The story behind Douglass‘s only novella.

Levine's book Martin Delany, Frederick Douglass, and the Politics of Representative Identity won an Outstanding Book Award from Choice magazine in 1997.

A diverse collection with innovative resources to tackle today’s teaching challenges.

The Tenth Edition introduces diverse, compelling, relevant texts—from Civil War songs and stories to The Turn of the Screw to The Great Gatsby to poems by Juan Felipe Herrera and Claudia Rankine to a science fiction cluster featuring Octavia Butler and N. K. Jemisin. And continuing its course of innovative and market-responsive changes, the anthology now offers resources to help instructors meet today’s teaching challenges. Chief among these resources is InQuizitive, Norton’s award-winning learning tool, which includes interactive questions on the period introductions and often-taught works in the anthology. In addition, the Tenth Edition maintains the anthology’s exceptional editorial apparatus and generous and diverse slate of texts overall. Available in print and as an annotatable ebook, the anthology is ideal for online, hybrid, or in-person teaching.

On Jan. 3, 1867, nearly two years after the end of the Civil War, Frederick Douglass stood before a full house of hundreds of African Americans at Philadelphia’s National Hall. He had been invited to speak in a Black lecture series organized by William Still, famous for his work on the Underground Railroad.

As recounted by the Philadelphia Daily Evening Telegraph, the celebrated African American singer Elizabeth Taylor Greenfield performed several arias before Douglass’s introduction. Douglass then took the stage to speak on the “Sources of Danger to the Republic.” The Telegraph reported that he “was frequently interrupted by applause, and evidently made the best effort of his life.”

Read more.

ONCE A SPECIALIZED SCHOOL of thought developed in law schools, critical race theory (CRT) has become a favorite wedge issue for the Republican Party. During the final months of his presidency, Trump warned that CRT was infiltrating American schools and ordered a halt to what he claimed was CRT-inspired diversity training in federal agencies. Florida’s governor, Ron DeSantis, regularly refers to CRT as a Marxist plot to undermine the nation, and Christopher Rufo, director of the Center on Wealth and Poverty at the conservative Discovery Institute, terms it “a grave threat to the American way of life.”

Read Frederick Douglass and the Trouble with Critical Race Theory

When Andrew Johnson rose to the presidency after Abraham Lincoln’s assassination, African Americans were optimistic that Johnson would pursue aggressive federal policies for Black equality. Just a year earlier, Johnson had cast himself as a “Moses” for the Black community. Frederick Douglass, the country’s most influential Black leader, increasingly doubted the president was sincere in supporting Black citizenship. In a dramatic meeting between Johnson and a Black delegation at the White House, the president and Douglass came to verbal blows over the fate of Reconstruction. Their animosity only grew as Johnson sought to undermine Reconstruction and conciliate leaders of the former Confederate states.

Learn more about The Failed Promise.

This Norton Critical Edition works with the first printing from the nineteenth century and presents relevant contextual and critical materials. The 2020 edition is a revision of Levine's earlier Norton Critical Edition of The House of the Seven Gables.

Read more about The House of the Seven Gables.

Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period.

Read more about Race, Transnationalism, and Nineteenth-Century American Literary Studies.

 

This Norton Critical Edition works with the first printing from the nineteenth century and includes relevant contextual and critical materials.

Read more about Pierre Or, The Ambiguities.

Frederick Douglass’s fluid, changeable sense of his own life story is reflected in the many conflicting accounts he gave of key events and relationships during his journey from slavery to freedom. Nevertheless, when these differing self-presentations are put side by side and consideration is given individually to their rhetorical strategies and historical moment, what emerges is a fascinating collage of Robert S. Levine’s elusive subject. The Lives of Frederick Douglass is revisionist biography at its best, offering new perspectives on Douglass the social reformer, orator, and writer.

The New Cambridge Companion to Herman Melville provides timely, critical essays on Melville's classic works. The essays have been specially commissioned for this volume and provide a complete overview of Melville's career. Melville's major novels are discussed, along with a range of his short fiction and poetry, including neglected works ripe for rediscovery. The volume includes essays on such new topics as Melville and oceanic studies, Melville and animal studies, and Melville and the planetary, along with a number of essays that focus on form and aesthetics. Written at a level both challenging and accessible, this New Companion brings together a team of leading international scholars to offer students of American literature the most comprehensive introduction available to Melville's art.

8th Edition.
The Eighth Edition features a diverse and balanced variety of works and thorough but judicious editorial apparatus throughout. The new edition also includes more complete works, much-requested new authors, 170 in-text images, new and re-thought contextual clusters, and other tools that help instructors teach the course they want to teach.

Read more a the publisher's website.

 

In this comprehensive volume of the collected writings of James Monroe Whitfield (1822-71), Robert S. Levine and Ivy G. Wilson restore this African American poet, abolitionist, and intellectual to his rightful place in the arts and politics of the nineteenth-century United States.

Whitfield's works, including poems from his celebrated America and Other Poems (1853), were printed in influential journals and newspapers, such as Frederick Douglass's The North Star. A champion of the black emigration movement during the 1850s, Whitfield was embraced by African Americans as a black nationalist bard when he moved from his longtime home in Buffalo, New York, to California in the early 1860s. However, by the beginning of the twentieth century, his reputation had faded.

For this volume, Levine and Wilson gathered and annotated all of Whitfield's extant writings, both poetry and prose, and many pieces are reprinted here for the first time since their original publication. In their thorough introduction, the editors situate Whitfield in relation to key debates on black nationalism in African American culture, underscoring the importance of poetry and periodical culture to black writing during the period.

William Wells Brown's Clotel (1853), the first novel written by an African American, was published in London while Brown was still legally regarded as 'property' within the borders of the United States. The novel was inspired by the story of Thomas Jefferson's purported sexual relationship with his slave Sally Hemings. Brown fictionalizes the stories of Jefferson's mistress, daughters, and granddaughters -- all of whom are slaves -- in order to demythologize the dominant U.S. cultural narrative celebrating Jefferson's America as a nation of freedom and equality for all. The documents in this edition include excerpts from Brown's sources for the novel -- fictio, political essays, sermons, and presidential proclamations; selections that illuminate the range of contemporary attitudes concerning race, slavery, and prejudice; and pieces that advocate various methods of resistance and reform.

Revised and updated from the 2000 edition.

Blithedale (“Happy Valley”), another would-be modern Arcadia, is the stage for Hawthorne’s grimly comic tragedy (Henry James famously called the novel “the lightest, the brightest, the liveliest” of Hawthorne’s “unhumorous fictions”). In his introduction, Robert S. Levine considers bio-graphical and historical contexts and offers a fresh appreciation of the novel’s ironic first-person narrator.

One of Hawthorne’s great romances, The Blithedale Romance draws upon the author’s experiences at Brook Farm, the short-lived utopian community where Hawthorne spent much of 1841. Blithedale (“Happy Valley”), another would-be modern Arcadia, is the stage for Hawthorne’s grimly comic tragedy (Henry James famously called the novel “the lightest, the brightest, the liveliest” of Hawthorne’s “unhumorous fictions”). In his introduction, Robert S. Levine considers bio-graphical and historical contexts and offers a fresh appreciation of the novel’s ironic first-person narrator.

Paperback edition; hardback published 1989.

Robert Levine has examined the American romance in a historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the republic and the Civil war. With convincing historical and literary detail, Levine shows that anxieties about various subversive elements - French revolutionaries, secret societies, Catholic immigrants, African slaves - are central to the fictional worlds of Brockden Brown, Cooper, Hawthorne and Melville. Ormond, The Bravo, The Blithedale Romance, and Benito Cereno are persuasively explicated by Levine to demonstrate that the romance addressed many of the same conflicts and ideals that gave rise to the American republic. Americans conceived of America as a romance, and their romances dramatised the historical conditions of the culture, The fear that conspiracies would subvert the order and integrity of the new nation were recurrent and widespread; Levine makes us see that these fears informed the works of our major romance writers from the turn of the century until the Civil War.

Pairing authors with major political and cultural events in the 19th century United States, Levine's book challenges the perceived cohesion of "American literary nationalism." According to the UNC Press website, Levine's study proposes that by examining the discordance in literature, our "American literary history helps us to better understand and learn from writers trying to make sense of their own historical moments."

Eric Sundquist of UCLA has called Dislocating Race and Nation "rich and compelling" and John Stauffer of Harvard said that Levine's work is "one of the most important works of American literary history, cultural criticism, and the contested nature of nationalism to emerge in recent years."

Read more about Dislocating Race and Nation.

Douglass and Melville addressed in their writings a range of issues that continue to resonate in American culture: the reach and limits of democracy; the nature of freedom; the roles of race, gender, and sexuality; and the place of the United States in the world. Yet they are rarely discussed together. In eighteen original essays, the contributors to this collection explore the convergences and divergences of these two extraordinary literary lives. 

Based on the life of an actual soldier who claimed to have fought at Bunker Hill, Israel Potter is unique among Herman Melville's books: a novel in the guise of a biography. In telling the story of Israel Potter's fall from Revolutionary War hero to peddler on the streets of London, where he obtained a livelihood by crying "Old Chairs to Mend," Melville alternated between invented scenes and historical episodes. This edition reproduces the definitive text and includes selections from Potter's autobiography.

This landmark collection brings together a range of exciting new comparative work in the burgeoning field of hemispheric studies.  Scholars address the urgent question of how we might reframe disciplinary boundaries within the broad area of what is generally called American studies. The essays take as their starting points such questions as what happens if the "fixed" borders of a nation are recognized not only as historically produced political constructs but also as component parts of a deeper, more multilayered series of national and indigenous histories?

The Norton Anthology of American Literature is the classic survey of American literature. Among the works included in their entirety are Hawthorne's The Scarlet Letter and Thoreau's Walden.

This all-new edition of Hawthorne’s celebrated 1851 novel is based on The Ohio State University Press’s Centenary Edition of the Works of Nathaniel Hawthorne.

It is accompanied by thorough explanatory annotations and an insightful introduction to the novel and antebellum culture by Robert S. Levine.

"Contexts" brings together a generous selection of primary materials intended to provide readers with background on the novel’s central themes.  Historical documents include accounts of Salem’s history by Thomas Maule, Robert Calef, Joseph B. Felt, and Charles W. Upham, which Hawthorne drew on for The House of the Seven Gables.  The importance of the house in antebellum America—as a manifestation of the body, a site of genealogical history, and a symbol of the republic’s middle class—is explored through the diverse writings of William Andrus Alcott, Edgar Allan Poe, and J. H. Agnew, among others.  The impact of technological developments on the novel, especially of daguerreotypy, is considered through the writings of Ralph Waldo Emerson, Gustave de Beaumont, and Alexis de Tocqueville, among others.  Also included are two of Hawthorne’s literary sketches—"Alice Doane’s Appeal" and "The Old Apple Dealer"—that demonstrate the continuity of Hawthorne’s style, from his earlier periodical writing to his later career as a novelist.

"Criticism" provides a comprehensive overview of the critical commentary on the novel from its publication to the present.  Among the twenty-seven critics represented are Herman Melville, Harriet Beecher Stowe, Henry James, Nina Baym, Eric Sundquist, Richard H. Millington, Alan Trachtenberg, Amy Schrager Lang, and Christopher Castiglia.

A Chronology and Selected Bibliography are also included.

Martin R. Delany (1812-85) has been called the "Father of Black Nationalism," but his extraordinary career also encompassed the roles of abolitionist, physician, editor, explorer, politician, army officer, novelist, and political theorist. Despite his enormous influence in the nineteenth century, and his continuing influence on black nationalist thought in the twentieth century, Delany has remained a relatively obscure figure in U.S. culture, generally portrayed as a radical separatist at odds with the more integrationist Frederick Douglass.

This pioneering documentary collection offers readers a chance to discover, or rediscover, Delany in all his complexity. Through nearly 100 documents--approximately two-thirds of which have not been reprinted since their initial nineteenth-century publications--it traces the full sweep of his fascinating career. Included are selections from Delany's early journalism, his emigrationist writings of the 1850s, his 1859-62 novel, Blake (one of the first African American novels published in the United States), and his later writings on Reconstruction. Incisive and shrewd, angry and witty, Delany's words influenced key nineteenth-century debates on race and nation, addressing issues that remain pressing in our own time.

The differences between Frederick Douglass and Martin Delany have been historically reduced to a simple binary pronouncement: assimilationist versus separatist. Now Levine restores the relationship of these two important nineteenth-century African American writers to its original complexity. He explores their debates over issues like abolitionism, emigration, and nationalism, illuminating each man's influence on the othe's political vision. Though each saw himself as the single best representative of his race, Douglass has been accorded that role by history -- while Delany, according to Levine, has suffered a fate typical of the black separatist: marginalization. In restoring Delany to his place in literary and cultural history, Levine makes possible a fuller understand of the politics of antebellum African American leadership.

The essays herein have been specially commissioned for this volume, and provide a critical introduction and comprehensive overview of Melville's career. All of Melville's key works, including Moby-Dick, Typee, White Jacket, The Tambourine in Glory and The Confidence Man, are examined, as well as most of his poetry and short fiction. Written at a level both challenging and accessible, the volume provides fresh prerspectives on one of the most significant writers of nineteenth-century America whose work continues to fascinate readers and stimulate new study.

Stowe's second antislavery novel was written partly in response to the criticisms of Uncle Tom's Cabin by both white Southerners and black abolitionists. In Dred (1856), Stowe attempts to explore the issue of slavery from an African American perspective. In his introduction, Robert Levine outlines the antislavery debates in which Stowe had become deeply involved before and during her writing of Dred. Levine shows that in addition to its significance in literary history, the novel remains relevant to present-day discussions of cross-racial perspectives.