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Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period.
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In this book, Sharada Balachandran Orihuela examines property ownership and its connections to citizenship, race and slavery, and piracy as seen through the lens of eighteenth- and nineteenth-century American literature. Balachandran Orihuela defines piracy expansively, from the familiar concept of nautical pirates and robbery in international waters to postrevolutionary counterfeiting, transnational slave escape, and the illegal trade of cotton across the Americas during the Civil War. Weaving together close readings of American, Chicano, and African American literature with political theory, the author shows that piracy, when represented through literature, has imagined more inclusive and democratic communities than were then possible in reality. The author shows that these subjects are not taking part in unlawful acts only for economic gain. Rather, Balachandran Orihuela argues that piracy might, surprisingly, have served as a public good, representing a form of transnational belonging that transcends membership in any one nation-state while also functioning as a surrogate to citizenship through the ownership of property. These transnational and transactional forms of social and economic life allow for a better understanding of the foundational importance of property ownership and its role in the creation of citizenship.
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Scholars have read this text as an expression of a "religious crisis," and they have described the event of its destruction as a critical turn both in Ficino's thought and in Renaissance intellectual history. This essay explores an alternative explanation for Ficino's early engagement with the poetry of the ancient atomist, revisiting a number of familiar problems in the scholarship, including the philosopher's ideas about the uses of poetry, the story of his intellectual development, and the influence of Lucretius in the Quattrocento. As Ficino sought to revive Plato in Latin, I argue, he may have been drawn to the author of De rerum natura as a model of philosophical and poetic transmission.
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Read More about "'Poor Black Squares': Afterimages of the Floppy Disk,"