Research & Innovation

Everybody’s Shakespeare brings the insights and wisdom of one of the finest Shakespearean scholars of our century to the task of surveying why the Bard continues to flourish in modern times. Mack treats individually seven plays—Hamlet, King Lear, Macbeth, Othello, Romeo and Juliet, Julius Cesar, and Antony and Cleopatra—and demonstrates in each case how the play has retained its vitality, complexity, and appeal.

Here -- in the only collection of speeches by nineteenth-century African-American women -- is the battle of words these brave women waged to address the social ills of their century. While there have been some scattered references to the unique roles these early "race women" played in effecting social change, until now few scholars have considered the rhetorical strategies they adopted to develop their powerful arguments. In this anthology, Logan highlights the public addresses  of these women beginning with Maria W. Stewart's speech at Franklin Hall in 1832, believed to be the first delivered to an audience of men and women by an African-born woman. Introductory essays focus on each speaker's life and rhetoric, considering the ways in which these women selected evidence and adapted language to particular occasions, purposes, and audiences in order to persuade.

This text is an introduction to the full range of standard reference tools in all branches of English studies. More than 10,000 titles are included. The Reference Guide covers all the areas traditionally defined as English studies and all the field of inquiry more recently associated with English studies. British and Irish, American and world literatures written in English are included. Other fields covered are folklore, film, literary theory, general and comparative literature, language and linguistics, rhetoric and composition, bibliography and textual criticism and women's studies.

PLACE HOLDER TEXT

Adapting a verse from the Epistle of James - "doers of the word" - nineteenth-century black women activists Sojourner Truth, Jarena Lee, and Frances Ellen Watkins Harper, among others, travelled throughout the Northeastern, Mid-Atlantic, and Midwestern regions of the United States. They preached, lectured, and wrote on issues of religious evangelicism, abolition, racial uplift, moral reform, temperance, and women's rights, thereby defining themselves as public intellectuals. In situating these women wtihin the emerging African-American urban communities of the free North, Doers of the Word provides an important counterweight to the vast scholarship on Southern slavery and argues that black "Civil Rights movements" cannot be seen as a purely modern phenomenon.

This first book-length study of causality and narrative investigates the complex web of causal issues present in all narratives and regularly probelmatized in twentieth century works. These include the shifting laws of probability that attempt to govern fictional worlds, the reader's implication in the causal dilemmas that confront central characters, the contested relations between philosophic theories and fictional practices, and the role of cause in determining just what constitutes a narrative.

The differences between Frederick Douglass and Martin Delany have been historically reduced to a simple binary pronouncement: assimilationist versus separatist. Now Levine restores the relationship of these two important nineteenth-century African American writers to its original complexity. He explores their debates over issues like abolitionism, emigration, and nationalism, illuminating each man's influence on the othe's political vision. Though each saw himself as the single best representative of his race, Douglass has been accorded that role by history -- while Delany, according to Levine, has suffered a fate typical of the black separatist: marginalization. In restoring Delany to his place in literary and cultural history, Levine makes possible a fuller understand of the politics of antebellum African American leadership.

The essays herein have been specially commissioned for this volume, and provide a critical introduction and comprehensive overview of Melville's career. All of Melville's key works, including Moby-Dick, Typee, White Jacket, The Tambourine in Glory and The Confidence Man, are examined, as well as most of his poetry and short fiction. Written at a level both challenging and accessible, the volume provides fresh prerspectives on one of the most significant writers of nineteenth-century America whose work continues to fascinate readers and stimulate new study.

This book analyzes the influence of major cultural developments, as well as significant events in the lives of Renaissance poets, to show how specific narratives characterize distinctive conceptions of the self in relation to historical action. Focusing on the narrative poetry of the English Renaissance, Grossman relates subjectivity to the nature of language, using the theories of Lacan to analyze the concept of the self as it encounters a transforming environment. He shows how ideological tensions arose from the reorganization and "modernization" of social life in revolutionary England and how the major poets of the time represented the division of the self in writings that are suspended between lyric and narrative genres.

A collection of thirty years of visionary verse from one of America's most memorable lyric. From the pastoral to the familial, from the mundance to the transcendent, Now That My Father Lies Down Beside Me is a musical, multifaceted, and deeply moving series of poems, presenting a panoramic view of Plumly's three decades of poetic inquiry.