Research & Innovation

Morvarid Publications (2009).

The Fellowships Program has grown through the continued generosity of organizations such as the Andrew W. Mellon Foundation, the National Endowment for the Humanities, and the American Council on Learned Societies. Folger fellowships also draw from dedicated endowments built up over decades of support.

(2009): 1015-1047.

Biblical Women's Voices in Early Modern England documents the extent to which portrayals of women writers, rulers, and leaders in the Hebrew Bible scripted the lives of women in early modern England. Attending to a broad range of writing by Protestant men and women, including John Donne, Mary Sidney, John Milton, Rachel Speght, and Aemilia Lanyer, the author investigates how the cultural requirement for feminine silence informs early modern readings of biblical women's stories, and furthermore, how these biblical characters were used to counteract cultural constraints on women's speech.

Bringing to bear a commanding knowledge of Hebrew Scripture, Michele Osherow presents a series of case studies on biblical heroines, juxtaposing Old Testament stories with early modern writers and texts. The case studies include an investigation of references to Miriam in Lady Mary Sidney's psalm translations; an unpacking of comparisons between Deborah and Elizabeth I; and, importantly, a consideration of the feminization of King David through analysis of his appropriation as a model for early modern women in writings by both male and female authors.

In deciphering the abundance of biblical characters, citations, and allusions in early modern texts, Osherow simultaneously demonstrates how biblical stories of powerful women challenged the Renaissance notion that women should be silent, and explores the complexities and contradictions surrounding early modern women, their speech, and their power.

"The meditative, quiet beauty of Linda Dove's In Defense of Objects helps defend the reader against all sorts of daily blindnesses. Although there are lovely poems here about art, Dove leads us to see the ordinary material world, too, as shaped and heightened. 'Until memory is allocated, objects do not exist,' says a computer science document quoted here, and many of Dove's poems will now be allocated to my memory. Not least of the objects worth defending, this poet shows, are words themselves, which she employs with subtlety, wit, and depth of feeling"--Mary Jo Salter.

From the publisher's website: 

The United States and its Freedom Coalition allies are conducting serial invasions across the globe, including an attack on the anti-capitalist rebels of Northern California. The Middle East—now a single consumerist Caliphate led by Lebanese pop singer Caliph Fred—is in an uproar after an attack on the al-Aqsa Mosque gets televised on the Holy Land Channel.

The world is on the brink of a total radioactive, no-survivors war, and human­kind's last hope is Eliot R. Vanderthorpe, Jr., celebrity heir, debauched party animal, and Elvis impersonation scholar. But Eliot's got his own problems. His evangelical dad is breeding red heifers in anticipation of the Rapture. Eliot's dissertation is in the toilet. And he has a doppelgänger. An evil doppelgänger.

A few years have passed since the conquering of the Mein, and Queen Corinn is firmly in control of the Known World-perhaps too firmly. With plans to expand her empire, she sends her brother, Daniel, on an exploratory mission to the Other Lands. There Daniel discovers a lush, exotic mainland ruled by an alliance of tribes that poses a grave danger to the stability of the Known World. Is Queen Corinn strong enough to face this new challenge? Fans of this bold, imaginative series will not be disappointed in the answer.

In Kara Candito’s prize-winning debut collection a “garish/human theatre” comes to life against richly textured geographic and psychic landscapes. These poems are high-speed meditations on a world where Walter Benjamin meets the “glitzy chain-link of Chanel scarves” and Puccini’s Tosca meets the din of the Times Square subway station. Ferociously witty and intensely lyrical, Taste of Cherry speaks to us in a language that is simultaneously private and public, sensual and cerebral.