Lee Konstantinou
Research Expertise
American
Film Studies and Cultural Studies
Literary Theory
Literature and Science
Modernist
Postmodern and Contemporary
Textual and Digital Studies
Lee Konstantinou is Associate Professor of English at the University of Maryland, College Park. His research and teaching focus on twentieth and twenty-first century U.S. literature and culture; postmodernist art and theory; media studies; as well as literary and cultural sociology.
He wrote the satirical novel Pop Apocalypse in 2009 (Ecco/HarperCollins), and his fiction has appeared in Post45: Contemporaries, Slate, ReGeneration: Telling Stories from Our Twenties, Hieroglyph: Stories and Visions for a Better Future, and Future Tense Fiction.
In 2012, with Samuel Cohen, he published an edited collection, The Legacy of David Foster Wallace (University of Iowa Press).
His literary history Cool Characters: Irony and American Fiction (Harvard University Press, 2016) discusses the fate of countercultural irony in the U.S. since 1945 and the rise of an ethos of postirony.
He recently published The Last Samurai Reread (Columbia University Press, 2022), a single-book study of Helen DeWitt’s The Last Samurai, and he published the edited collection Artful Breakdowns: The Comics of Art Spiegelman (University Press of Mississippi, 2023) with Georgiana Banita, which assesses the legacy of Art Spiegelman’s long and storied career as a comics creator, editor, and advocate.
He’s currently working on a project entitled “Platform-Art: Graphic Storytelling in the Age of Social Media,” which is a study of innovative artworks that explore and critique corporate digital platforms and graphical user interfaces.
Publications
“Critique Has Its Uses.”
Is Colson Whitehead’s The Underground Railroad (2016) fake news?
Cool Characters: Irony and American Fiction
Charting a new course in the criticism of postwar fiction, Cool Characters examines the changing status of irony in American cultural and political life from World War II to the present.
Charting a new course in the criticism of postwar fiction, Cool Characters examines the changing status of irony in American cultural and political life from World War II to the present, showing how irony migrated from the countercultural margins of the 1950s to the cultural mainstream of the 1980s. Along the way, irony was absorbed into postmodern theory and ultimately became a target of recent writers who have sought to create a practice of “postirony” that might move beyond its limitations.
As a concept, irony has been theorized from countless angles, but Cool Characters argues that it is best understood as an ethos: an attitude or orientation toward the world, embodied in different character types, articulated via literary style. Lee Konstantinou traces five such types—the hipster, the punk, the believer, the coolhunter, and the occupier—in new interpretations of works by authors including Ralph Ellison, William S. Burroughs, Thomas Pynchon, Kathy Acker, Dave Eggers, William Gibson, Jennifer Egan, Jonathan Lethem, and Rachel Kushner.
For earlier generations of writers, irony was something vital to be embraced, but beginning most dramatically with David Foster Wallace, dissatisfaction with irony, especially with its alleged tendency to promote cynicism and political passivity, gained force. Postirony—the endpoint in an arc that begins with naive belief, passes through irony, and arrives at a new form of contingent conviction—illuminates the literary environment that has flourished in the United States since the 1990s.
Cool Characters
Charting a new course in the criticism of postwar fiction, Cool Characters examines the changing status of irony in American cultural and political life from World War II to the present, showing how irony migrated from the countercultural margins of the 1
"Lewis Hyde's Double Economy."
Since its original publication in 1983, LEWIS HYDE’S The Gift has accumulated some impressive blurbs
"The World of David Foster Wallace."
This essay investigates the common charge that contemporary US fiction and the literature of 9/11 have failed to meaningfully engage with the world.
The Legacy of David Foster Wallace
The Legacy of David Foster Wallace gathers cutting-edge, field-defining scholarship by critics alongside remembrances by many of his writer friends, who include some of the world’s most influential authors.
Considered by many to be the greatest writer of his generation, David Foster Wallace was at the height of his creative powers when he committed suicide in 2008. In a sweeping portrait of Wallace’s writing and thought and as a measure of his importance in literary history, The Legacy of David Foster Wallace gathers cutting-edge, field-defining scholarship by critics alongside remembrances by many of his writer friends, who include some of the world’s most influential authors.
The Legacy of David Foster Wallace
Considered by many to be the greatest writer of his generation, David Foster Wallace was at the height of his creative powers when he committed suicide in 2008.
Pop Apocalypse: A Possible Satire
The United States and its Freedom Coalition allies are conducting serial invasions across the globe, including an attack on the anti-capitalist rebels of Northern California.
From the publisher's website:
The United States and its Freedom Coalition allies are conducting serial invasions across the globe, including an attack on the anti-capitalist rebels of Northern California. The Middle East—now a single consumerist Caliphate led by Lebanese pop singer Caliph Fred—is in an uproar after an attack on the al-Aqsa Mosque gets televised on the Holy Land Channel.
The world is on the brink of a total radioactive, no-survivors war, and humankind's last hope is Eliot R. Vanderthorpe, Jr., celebrity heir, debauched party animal, and Elvis impersonation scholar. But Eliot's got his own problems. His evangelical dad is breeding red heifers in anticipation of the Rapture. Eliot's dissertation is in the toilet. And he has a doppelgänger. An evil doppelgänger.
Pop Apocalypse: A Possible Satire
The United States and its Freedom Coalition allies are conducting serial invasions across the globe, including an attack on the anti-capitalist rebels of Northern California.
“The Brand as Cognitive Map in William Gibson’s Pattern Recognition.”
This essay analyzes William Gibson's eighth novel, Pattern Recognition, and argues that Gibson uses literary style to invite his readers to embrace the ethos of the coolhunter.
Read More about “The Brand as Cognitive Map in William Gibson’s Pattern Recognition.”