New Podcast Explores Past, Present and Future of Black Studies
John Drabinski and Ashley Newby’s “The Black Studies Podcast” is supported by a $100k grant from the Mellon Foundation.
Focusing on cultural politics, Ontiveros reveals neglected stories about the Chicano movement and its impact: how writers used the street press to push back against the network news; how visual artists such as Santa Barraza used painting, installations, and mixed media to challenge racism in mainstream environmentalism; how El Teatro Campesino’s innovative “actos,” or short skits,sought to embody new, more inclusive forms of citizenship; and how Sandra Cisneros and other Chicana novelists broadened the narrative of the Chicano movement. In the Spirit of a New People articulates a fresh understanding of how the Chicano movement contributed to the social and political currents of postwar America, and how the movement remains meaningful today.
Read More about In the Spirit of a New People: The Cultural Politics of the Chicano Movement
The New Cambridge Companion to Herman Melville provides timely, critical essays on Melville's classic works. The essays have been specially commissioned for this volume and provide a complete overview of Melville's career. Melville's major novels are discussed, along with a range of his short fiction and poetry, including neglected works ripe for rediscovery. The volume includes essays on such new topics as Melville and oceanic studies, Melville and animal studies, and Melville and the planetary, along with a number of essays that focus on form and aesthetics. Written at a level both challenging and accessible, this New Companion brings together a team of leading international scholars to offer students of American literature the most comprehensive introduction available to Melville's art.
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Julie R. Enszer's second collection mines the multiple meanings of sisterhood, exploring the burdens and joys of sisters, real and imagined. These poems ache with loss: of a sister, of friends from AIDS, of elder poets, of innocence, of exuberance and idealism in middle age. But at the same time, these poems affirm life: the desire of humans to live, to hold one another tightly, to build new ways of living amid fragile remains.
This unique literary anthology is devoted to unruly Catholic women. In short stories, poems, personal essays, and drama, the contributors describe women’s struggles with Catholicism and also complicate contemporary understandings of women’s relationships to their faith. Catholicism often oppresses the women in these creative pieces, but it also inspires them to challenge literary, social, political, and religious hierarchies. The collection reflects the considerations of a wide range of women from a variety of ethnic backgrounds, geographic locations, and generations; they encompass the gamut of reactions to the Catholic experience—humor, anger, nostalgia, critique, appreciation, and engagement or rejection on one’s own terms. Authors address real life versus Catholic dogma, motherhood, childhood, alienation from the Church, Catholic school days, mentors and exemplary figures, Church strictures on women’s sexualities, and leaving or remaining in the Church among many other experiences. Readers will find this a rich and multifaceted exploration, one that offers new perspectives and moments of recognition.
Reexamining the Chicano civil rights movement of the 1960s and 1970s, In the Spirit of a New People brings to light new insights about social activism in the twentieth-century and new lessons for progressive politics in the twenty-first. Randy J. Ontiveros explores the ways in which Chicano/a artists and activists used fiction, poetry, visual arts, theater, and other expressive forms to forge a common purpose and to challenge inequality in America.
Focusing on cultural politics, Ontiveros reveals neglected stories about the Chicano movement and its impact: how writers used the street press to push back against the network news; how visual artists such as Santa Barraza used painting, installations, and mixed media to challenge racism in mainstream environmentalism; how El Teatro Campesino’s innovative “actos,” or short skits,sought to embody new, more inclusive forms of citizenship; and how Sandra Cisneros and other Chicana novelists broadened the narrative of the Chicano movement. In the Spirit of a New People articulates a fresh understanding of how the Chicano movement contributed to the social and political currents of postwar America, and how the movement remains meaningful today.
Read more at the publisher's website.
From the publisher:
Lucky That Way, a nuanced, richly engaging memoir, chronicles the joys and tribulations of a daughter who rediscovers her father as he nears the end of his life. Ernie Gerhardt, an artist and teacher, is largely estranged from his five children, but when he suffers a debilitating stroke, his daughter Pamela must fly to Las Vegas to tend to him. This is Pamela Gerhardt’s heartfelt story about a family coming to terms with their aging father’s illness and imminent death takes readers on an emotional roller coaster that highlights love, loss, humor, and sadness.
Awards
Lucky That Way won the 2014 award for the best memoir from the American Society of Journalists and Authors.
Based on material from Byzantine and Old Church Slavonic homilies and from Byzantine rhetorical commentaries, the book redefines and expands our understanding of both Byzantine and Old Church Slavonic prose rhythm. It positions rhetorical rhythm at the intersection of prose and poetry and explores its role in argumentation and persuasion, suggesting that rhetorical rhythm can carry across linguistic boundaries, and in general aims to demonstrate the stylistic and argumentative importance of rhythm in rhetorical practice. Along the way, it challenges the entrenched separation between content and style and emphasizes the role of rhythm as a tool of invention and a means of creating shared emotional experience.
Bogliasco Fellowships are awarded to gifted individuals working in all the disciplines of the Arts and Humanities without regard to nationality, age, race, religion or gender.