Labor, Not Neighbor: On Latinx Domestic Work and the Suburban American Dream
The third of the American Studies Department's brown bag series "Revision" featuring Associate Professor Randy Ontiveros
Palgrave Handbook of Critical Posthumanism, ed. Stefan Herbrechter et al., forthcoming from Palgrave Macmillan in 2021.
The medieval period does not prefigure posthumanism as much as it reveals, according to the editors of the inaugural issue of the journal postmedieval, the many “ways in which bodies (human and non-human) and the world have always been emerging together out of various dynamic material processes and fields of interpretation”.
“City of Incurable Women is a brilliant exploration of the type of female bodily and psychic pain once commonly diagnosed as hysteria—and the curiously hysterical response to it commonly exhibited by medical men. It is a novel of powerful originality, riveting historical interest, and haunting lyrical beauty.” —Sigrid Nunez, author of The Friend and What Are You Going Through
“Where are the hysterics, those magnificent women of former times?” wrote Jacques Lacan. Long history’s ghosts, marginalized and dispossessed due to their gender and class, they are reimagined by Maud Casey as complex, flesh-and-blood people with stories to tell. These linked, evocative prose portraits, accompanied by period photographs and medical documents both authentic and invented, poignantly restore the humanity to the nineteenth-century female psychiatric patients confined in Paris’s Salpêtrière hospital and reduced to specimens for study by the celebrated neurologist Jean-Martin Charcot and his male colleagues.
“Where are the hysterics, those magnificent women of former times?” wrote Jacques Lacan. Long history’s ghosts, marginalized and dispossessed due to their gender and class, they are reimagined by Maud Casey as complex, flesh-and-blood people with stories to tell. These linked, evocative prose portraits, accompanied by period photographs and medical documents both authentic and invented, poignantly restore the humanity to the nineteenth-century female psychiatric patients confined in Paris’s Salpêtrière hospital and reduced to specimens for study by the celebrated neurologist Jean-Martin Charcot and his male colleagues.