Elizabeth Bergmann Loizeaux
Emeritus Professor, English
Research Expertise
Modernist
Post-1900 British and Irish
Textual and Digital Studies
Beth Loizeaux is author of Yeats and the Visual Arts (Rutgers 1986; Syracuse 2003) and Twentieth-Century Poetry and the Visual Arts (Cambridge 2008) and co-editor with Neil Fraistat of Reimagining Textuality: Textual Studies in the Late Age of Print (Wisconsin, 2002). She currently serves as Associate Dean for Academic Affairs in the College of Arts and Humanities. Although she is not teaching courses at the moment, she serves on dissertation committees and is glad to talk with students interested in modern poetry, 20th-century Irish literature, textual studies, and the relations between literature and the visual arts.
Publications
Twentieth-Century Poetry and the Visual Arts
Elegantly and persuasively written, Twentieth-Century Poetry and the Visual Arts considers a wide range of twentieth-century poets from several English-speaking cultures, from W.B. Yeats and Marianne Moore to Anne Sexton, Ted Hughes and Rita Dove.
With the emergence of a culture of images in the early twentieth-century, the question of how literature engages the visual arts has become key for literary studies. This extended treatment of poetic ekphrasis (the verbal representation of visual representation) explores the complex, dynamic relationships between words and images that characterize this flourishing genre and provided one way of making poetry new. Elegantly and persuasively written, Twentieth-Century Poetry and the Visual Arts considers a wide range of twentieth-century poets from several English-speaking cultures, from W.B. Yeats and Marianne Moore to Anne Sexton, Ted Hughes and Rita Dove.
Press info: Cambridge University Press, 2008 (hardcover), 2011 (paperback)
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Reimagining Textuality: Textual Studies in the Late Age of Print
What happens when, in the wake of postmodernism, the old enterprise of bibliography, textual criticism, or scholarly editing crosses paths and processes with visual and cultural studies?
What happens when, in the wake of postmodernism, the old enterprise of bibliography, textual criticism, or scholarly editing crosses paths and processes with visual and cultural studies? In Reimagining Textuality, major scholars (Jerome McGann, David Greetham, Johanna Drucker, et al) map out a new discipline, drawing on and redirecting a host of subfields concerned with the production, distribution, reproduction, consumption, reception, archiving, editing, and sociology of texts.
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