Barry Pearson
Professor, English
Affiliate Faculty, School of Music
Affiliate Professor, American Studies
bpearson@umd.edu
3115 Tawes Hall
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Research Expertise
African American/African Diaspora
American
Film Studies and Cultural Studies
Musicology & Ethnomusicology
Mythology and Folklore
Dr. Barry Pearson has produced four books and over one hundred other publications, including articles, reviews, program and recording notes, and sound recordings dealing with African American traditional music. He has written on oral biography, which is the focus of Sounds So Good to Me: The Bluesman's Story; regionalism and the relationship between life story and repertoire in Virginia Piedmont Blues: The Lives and Art of Two Virginia Blues Men; blues artists as narrators in "Jook right On": Blues Stories and Storytellers; and has co-authored a historiography of blues icon Robert Johnson entitled Robert Johnson: Lost and Found. He has produced nine CDs for the Smithsonian Folkways, and in 1993 was nominated for a Grammy for Best Traditional Blues Album, Roots of Rhythm and Blues: A Tribute to the Robert Johnson Era.
Currently a Professor in the English Department at the University of Maryland, he works with organizations engaged in preesenting traditional American music, including the Smithsonian Institution, the Library of Congress, and the National Council for the Traditional Arts, the nation's olders folk arts organization for which he serves as President.
As a performing musician he has toured for the Arts America Program visiting Africa, South and Central America. In general, his work involves preaching and teaching, and presenting traditional music and musicians in a painlessly educational format.
Publications
Sounds So Good to Me: The Bluesman's Story
The roots of much American music lie in the intensely personal art form of the blues. What bluesmen from W.C. Handy to B.B. King have told us about their lives has shaped America's perception of the blues.
Robert Johnson: LOST AND FOUND (Music in American Life)
With just forty-one recordings to his credit, Robert Johnson (1911-38) is a giant in the history of blues music.
Read More about Robert Johnson: LOST AND FOUND (Music in American Life)
Robert Johnson: Lost and Found (Music in American Life)
With just forty-one recordings to his credit, Robert Johnson (1911-38) is a giant in the history of blues music.
With just forty-one recordings to his credit, Robert Johnson (1911-38) is a giant in the history of blues music. Johnson's vast influence on twentieth-century American music, combined with his mysterious death at the age of twenty-seven, has allowed speculation and myths to obscure the facts of his life. The most famous of these legends depicts a young Johnson meeting the Devil at a dusty Mississippi crossroads at midnight and selling his soul in exchange for prodigious guitar skills.
In this volume, Barry Lee Pearson and Bill McCulloch examine the full range of writings about Johnson and sift fact from fiction. They compare conflicting accounts of Johnson's life, weighing them against interviews with blues musicians and others who knew the man. Through their extensive research Pearson and McCulloch uncover a life every bit as compelling as the fabrications and exaggerations that have sprung up around it. In examining Johnson's life and music, and the ways in which both have been reinvented and interpreted by other artists, critics, and fans, Robert Johnson: Lost and Found charts the broader cultural forces that have mediated the expression of African American artistic traditions.
Read More about Robert Johnson: Lost and Found (Music in American Life)
Jook Right On: Blues Stories and Blues Storytellers
Jook Right On: Blues Stories and Blues Storytellers is what author and compiler Barry Lee Pearson calls a “blues quilt.”
Read More about Jook Right On: Blues Stories and Blues Storytellers
Jook Right On: Blues Stories and Blues Storytellers
Author and compiler Barry Lee Pearson calls this volume a "blues quilt." These stories, collected over thirty years, are told in the blues
musicians' own words.
Author and compiler Barry Lee Pearson calls this volume a "blues quilt." These stories, collected over thirty years, are told in the blues musicians' own words. Pearson interviewed over one hundred musicians, recording and transcribing their stories. These are stories from well-known musicians such as John Lee Hooker, Koko Taylor, David "Honeyboy" Edwards, and Little Milton, and from more obscure artists such as Big Luck Carter, Henry Dorsey, Joseph Savage, and J.T. Adams. Pearson provides an introduction to the world of blues and the genre of blues stories as well as brief biographies of the musicians.
Read More about Jook Right On: Blues Stories and Blues Storytellers
Sounds So Good to Me: The Bluesman's Story
The roots of much American music lie in the intensely personal art form of the blues. What bluesmen from W.C. Handy to B.B. King have told us about their lives has shaped America's perception of the blues.
Virginia Piedmont Blues: The Lives and Art of Two Virginia Bluesmen
Documents the journey of two black American bluesmen, Archie Edwards and John Cephas, as they carry their musical heritage to the world.
Documents the journey of two black American bluesmen, Archie Edwards and John Cephas, as they carry their musical heritage to the world.
Read More about Virginia Piedmont Blues: The Lives and Art of Two Virginia Bluesmen
Virginia Piedmont Blues: The Lives and Art of Two Virginia Bluesmen
Documents the journey of two black American bluesmen, Archie Edwards and John Cephas, as they carry their musical heritage to the world.
Read More about Virginia Piedmont Blues: The Lives and Art of Two Virginia Bluesmen