Noémie Ndiaye on Scripts of Blackness: Early Modern Performance Culture and the Making of Race
Noémie Ndiaye on Scripts of Blackness: Early Modern Performance Culture and the Making of Race
Please join us for a virtual presentation by Noémie Ndiaye of the University of Chicago on Wednesday, April 12, at 5 pm. Professor Ndiaye will speak about her recent book, Scripts of Blackness: Early Modern Performance Culture and the Making of Race (University of Pennsylvania Press, 2022). There will be ample time for questions and answers after the talk. This event is part of the Marshall Grossman lecture series sponsored by the Center for Literary and Comparative Studies.
To RSVP, please email dcsimon@umd.edu for the Zoom link.
ABOUT THE BOOK:
Scripts of Blackness shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism.
In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques—black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)—in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst.
Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects.